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OVERVIEW
The K2 Summit 3G Production Client is optimized for a broad range of production and broadcast applications and is the only server that supports end-to-end SD/HD workflows in DVCPRO, MPEG-2, AVC-Intra and H.264/AVCHD formats. With bidirectional channel control, you can quickly switch between record and play. Individual channels can be software configured for additional functions as well as the creation of low-resolution streams and proxy, making the the K2 Summit 3G Production Client the most versatile server available.
K2 Summit 3G media servers are now available with IP I/Os for SMPTE 2022-6 connectivity, either installed at the factory or as a field upgrade kit. See the K2 Summit IP I/O webpage for more information.
KEY FEATURES
- Two- or four-channel configurations:
- SD: DV, IMX and MPEG-2 I-Frame & Long GOP
- HD: DV, XDCAM HD, XDCAM EX, MPEG-2 I-Frame & Long GOP, DVCPRO HD, AVC-Intra and DNxHD
- Play different formats back-to-back:
- SD/HD/3G/4K clips
- 720p/1080i
- 1080p 3G
- 2160p 4K
- DV/MPEG/AVC-Intra/H.264/AVCHD
- Optional low-resolution proxy encoding for streaming monitor and distributed workflows
- Instant replay capability
- ChannelFlex – part of AppCenter Elite:
- Multicam mode
- Synchronized multichannel record and play to support two UHD/4K channels
- Super slo-mo mode
- 3D mode
- Video+key mode
- HD/SD-SDI monitor output with timecode burn-in and custom text overlays
- Multiviewer monitor mode with custom text overlays
- iSCSI or Fibre Channel connection to K2 SAN shared storage
- Fast boot times with embedded OS on mSATA solid state drive (SSD)
- Option for up to 7.2 TB of internal hard disk storage
- Built-in mix effects on each channel:
- Video dissolves and audio crossfades supported via APIs and AppCenter Pro playlist
- Import/export all formats as MXF OP1a, SMPTE ST 360 (GXF) or QuickTime
- File system enables edit-in-place of QuickTime files
- Expanded internal storage capacity – 7.2 TB
- Software-based codecs for agile playback and easy configuration
- Increased bandwidth to support more channels, higher bit rates, faster file transfers
- Super slow-motion support in DVCPRO HD, AVC-Intra and DNxHD formats
- Full XDCAM HD workflow support including multicam mode
- 1080p50/60 Level A support using AVC-Intra
- Simultaneous high-resolution and low-resolution “proxy” encoding for recording or streaming
- Embedded operating system on mSATA solid state drive (SSD)
- Automatic up/downconversion, user-definable aspect ratio conversion, and closed caption preservation
- Configurable as SAN or standalone solution
- ANC data preserved and full AFD processing
- Scales from two to four channels to more than 100 channels
- Full multichannel audio support – 16 SDI audio tracks per video channel (32 audio tracks per clip on disk)
SPECIFICATIONS
Description
- 2 or 4 SD/HD channels
- All channels are bidirectional
Video Channels
- 2 or 4 bidirectional HD/SD-SDI record/play channels
- BNC, 75Ω
- SD SDI: SMPTE ST 259, ITU R601, 525/625 line component, 10-bit
- HD-SDI: SMPTE ST 292, 10-bit
- HD: SMPTE ST 424
Formats
SD:
- DV, DVCAM, DV25, DV50
- MPEG-2@ML 4:2:0, I-Frame & Long GOP 2-15 Mb/s
- MPEG-2 @ML 4:2:2, I-Frame & Long GOP 4-50 Mb/s
HD:
- MPEG-2@HL 4:2:0, I-Frame & Long GOP 12-100 Mb/s
- MPEG-2 @HL 4:2:2, I-Frame & Long GOP 20-100 Mb/s
- XDCAM HD (18, 25, 35 Mb/s)
- XDCAM HD 4:2:2 (50 Mb/s)
- XDCAM EX
- DVCPRO HD
- AVC-Intra 50/100 (optional)
- AVC-Intra Class 100 1080p50/60 Level A (optional)
- H.264/AVCHD playback (optional)
- DNxHD 115, 120, 145, 175, 185, 222 Mb/s 720p and 1080i (optional)
Proxy Encoding
- 4 or 8 streams (licensed through AppCenter Pro and AppCenter Elite)
- Each stream includes 1 video and up to 8 audio tracks for recording
- Any audio tracks can be selected when streaming
Compression:
Video: MPEG-4 part 2
Audio: AAC
ChannelFlex Modes (optional)
- Multicam (up to 4 channels)
- Super slo-mo (1 or 2 channels)
- 3D (up to 4 channels)
- Video+key (up to 4 channels)
Audio Special Features
- Scrub audio support (±2X)
- Audio click elimination
- Agile playback of clips with different supported audio formats
- Audio tagging and audio mapping (with K2 AppCenter Pro)
- Audio mix effects (PCM only)
- Cross fade between tracks
- Fade up/down
Power Requirements
- Dual redundant 600W maximum, 400W typical
- Auto-sensing, hot-swap
- 100-240 VAC, 50-60 Hz
Monitor Modes
- SDI monitor out w/timecode burn-in
- VGA multiviewer – w/definable text overlay for above displays including channel name, clip name, transport status, play speed, audio meters, and other status
Video Playback Output
- Any supported format can be played seamlessly back-to-back
- Output can be delayed at pixel resolution within a range of one frame
- Freeze mode: frame or field
- Off-speed play: line interpolation provides jitter free slow-motion playback in both directions
Video Mix Effects (optional)
- Dissolves between two video tracks on same channel
- Fade up/down to matte color (default is black)
- Max duration per transition: user selectable
Environmental Characteristics
Operating temperature: 10° to +40°C (50° to 104°F)
Non-operating temperature: -40° to +60°C (-40° to 140°F)
Operating relative humidity: 20% to 80% from -5° to +45°C (23° to 113°F)
Non-operating relative humidity: 10% to 80% from -30° to +60°C (-22° to 140°F)
GPI
12 in, 12 out: 25-pin D connector (DB25)
Dimensions
Height: 9 cm (3.5 in.) – 2 RU
Width: 44.5 cm (17.5 in.)
Depth: 61.6 cm (24.5 in.)
Weight: 24 kg (53 lbs.) maximum
Redundancy
- Redundant power supplies (hot-swappable)
- Redundant cooling
Up/Down/Cross Conversion and Aspect Ratio
- 525↔1080i, 525↔720p, 625↔1080i, 625↔720p
- 720p↔1080i cross conversion
- AFD support for 4:3↔16:9 aspect ratio conversion with format specified on a channel basis with clip-by-clip override capability
- Bar, half-bar, crop, and stretch options configurable via UI, AMP protocol, or K2.net
E-to-E Mode
- Less than one frame delay
- No re-timing applied
Audio
- Record or play up to 16 tracks per channel
- 32 audio tracks per clip stored on disk
Embedded Audio Tracks
16 tracks embedded, per video channel
Reference Genlock
- NTSC/PAL black composite analog
- Two BNC, 75Ω passive loop through
- Burst frequency lock: PAL, +10 Hz at subcarrier NTSC, +20 Hz at subcarrier
- Tri-Level sync conforms to SMPTE ST 296 for 1280x720P systems and SMPTE ST 274 for 1920×1080
Timecode
- LTC SMPTE ST 12, one per channel
- One mini-XLR per input and one mini- XLR with input and output
- 1 kΩ input, 50Ω output impedance
- One VITC reader/writer per video:
- Lines 10-21 on 525 configurations, lines 6-23 on 625 configurations
- Ancillary timecode
Control
Interconnects:
- Four RS-422 serial ports
- 100/1000Base-T Ethernet port
Protocols:
- BVW (RS-422) (w/o insert edit)
- VDCP (RS-422)
- AMP (RS-422 and Ethernet)
- K2.net native API
Media Exchange
MXF OP1a, GXF (SMPTE ST 360), AVI, and QuickTime
Discrete AES/EBU Audio Tracks (per video channel)
- 8 input and 8 output tracks (4 AES pairs) audio
- DB25 pin connector (optional) – Yamaha AES D-sub pin out (CD8AES & MY8AE)
Audio Specifications
- Input: 48 kHz, 16-, or 24-bit digital audio PCM
- Sample rate conversion on inputs (32 kHz to 96 kHz) to 48 kHz
- Output: 48 kHz clock derived from video reference, 16- or 24-bit
- Compliant with SD-SMPTE ST 259, HD-SMPTE ST 292
- Compressed audio types: AC-3 and Dolby E pass-through
- Audio delay adjustable ±200 ms relative to output video
Remote Monitoring
Grass Valley SNMP-based remote facility-monitoring software
Certifications
UL 60950, FCC Class A, EMC Class A, CE, C-Tick, CSA 60950, IEC 950, EN 60950
Included in Package
- Power cords (2)
- LTC cables (4)
- Quick Start guide
- USB stick with documentation and recovery image
K2 Summit 3G Production Clients with Internal Storage (in hours*)
Format Data Drives | DVCPRO | DVCPRO 50 | DVCPRO HD | IMX 30 | XDCAM HD | XDCAM HD |
600 GB RAID-1 (6/6) | 240 | 120 | 60 | 207 | 183 | 132 |
600 GB RAID-0 (12/0) | 480 | 240 | 120 | 414 | 366 | 264 |
900 GB RAID-1 (6/6) | 360 | 180 | 90 | 310 | 275 | 198 |
900 GB RAID-0 (12/0) | 720 | 360 | 180 | 621 | 549 | 396 |
RAID-1 = 6 data drives and 6 parity drives. RAID-0 = 12 data drives
* Time for video with four 16-bit audio channels, no ancillary data. Times are estimated and can vary by ±10%.